How To Make A Backing Track At Home From Scratch

Hey this is Young Coconut, and today I am going to discuss how to make a full musical backing track at home from scratch. 

As a reference, I will be referring to a remake I recently did of a song by 70’s punk legends The Soft Boys called “I Wanna Destroy You”. 

Actually, my friend Rob Jones of did most of the song, including drums, bass, guitar, and production (the essential backing track), and I just came along and sang it.

By the end of this article, you should know exactly how this was done.

Table of Contents

Let’s get into this!

Here is the final version of the song that Rob exported, and we’ll kind of work backwards from there.  

This was made in a home studio, and was done for relatively little money (not thousands of dollars), so it’s something that can be done and not eat up your whole month’s rent. 

That is, assuming you have the basic equipment to do this, which, to be honest – getting everything you need to do this will cost a month’s rent for sure. That said, once you have all the right stuff, you’re good to go.  

What stuff is that?  More on that in a bit, but basically, it’s a DAW, and some instruments, mics, and an interface of some kind to route any real instruments through. Usual recording gear type stuff, which we’ll get more into…

Why Make Your Own Backing Tracks?


So, what made us create this track in this way, as in sit down and record a whole bunch of tracks ourselves?

Well, first off, Rob is a music producer by trade, and he specializes in creating these types of fully realized instrumental backing tracks.  So there’s that.  He’s good at it, and he can do it if he feels like it.

Generally speaking, backing tracks have a multitude of purposes, and come in varying degrees of quality, depending on what they’re used for. 

So, before we talk about how it’s done, let’s talk about why you might want to do this.  One thing’s for sure, it’s going to open up a lot of options for you if you can do this.

Reason #1 – Create Karaoke Backing Tracks That Are Actually Decent

One of the uses for backing tracks where the vocal is absent is to use them for karaoke purposes. 

In other words, if you have a popular song without vocals, it can easily be used for karaoke or to sing along with.  Right?  Of course!

we review the best home karaoke systems 2017

The thing is, when you hear a karaoke backing track, quite often the creator of that track did not record everything themselves to achieve the best quality possible, and this is why a lot of karaoke tracks don’t sound very good.  Indeed, some really suck.

By comparison, if our song were to be used as a karaoke track you’d find on Youtube, it would be quality version, because Rob took the time to make it that way. 

Now, we’re not going to get into how karaoke tracks are made (one way is to do it the way we did this track – build it yourself), but if you’re looking to simply remove vocals from a pre-existing song, then you might want to read our article about that very topic.

Again, this is not what we did.  We did not take the original track and simply filter out the vocals. 

Read our article, We Review The Best Home Karaoke Systems

With our Soft Boys track, above, we actually (or Rob, rather) built the track from the ground up until it was a full instrumental of the song which he made according to his ear and how he interpreted the track, while still following the blueprint of the original to come up with what essentially is his “cover” of “I Wanna Destroy You”.

Reason #2 – Create Bespoke Music For People

Before we get into how we went about it, and how you can do it too, let’s talk about a few more reasons why you might want to do this. For instance, have you heard of bespoke songs or bespoke music? 

These are songs which are custom written for a specific purpose, by request, and often compensated for. 

Bespoke songs require someone who has all of the musical skills and resources at their disposal in order to produce a song that is exactly what someone else is after. 

Whether it’s for a loved one, or for a band, or whoever wants it, bespoke songs require someone to custom make it.  Kind of like a contractor, but for songs.  

Reason #3 – Make a Unique and Impressive Artist Promo Package

Another cool thing about making your own backing track is that they can be used in a musician’s press kit (your own, or for a musician you know), in order to stand out and be original.

For instance, if you are a musical artist, or know one who needs some promo, and who would sound great singing a particular song, but that song isn’t available to sing where the song is of a certain quality (this goes back to the karaoke problem of inferior backing tracks), that’s when a high quality backing track for a song comes in handy for that artist.

Reason #4 – Customize Any Song Any Number of Ways

To go with my last point of creating some kind of artist promo for you or someone else who needs one, having the ability to customize your track because you made it and you have the power to edit that song however you like can be a great advantage.

For instance, you can alter the key of the song if you have it all programmed in MIDI, so that the singer can sing better to the track.

You can also change some of the instrumentation to make it a little different, which will help the song stand out.  Want to change the type of bass used?  Just try a different bass plugin.

Or pick up a different bass and play it differently live.  You can also even add different parts to a song that weren’t there in the original version of the track.

Say you remake a popular song, but you never liked the guitar solo.  You have the option to play something different for that solo, if you want.

Reason # 5 – Sell Your Services Because You Can

Another big reason to be able to make your own backing track is because people need them, and will buy them.  So, if you know how to make them, you can sell them and make a business out of it, like Rob has.

We won’t get into things like licensing of tracks, or how to sell tracks, or marketing types of things in this article, but this is an obvious option if you are able to create your own tracks, and remake tracks that there is a demand for.

Nothing wrong with making the moolah, especially if you’re talented and can do a great job for someone!

Reason #6 – Create Obscure Tracks No One Else Has Done And Be Way Cooler Than Everyone

If you’re like me and you go looking for karaoke songs to sing that haven’t been made yet, then why not just…do it yourself!

There are, if you look online, lots of different instrumental versions of thousands and thousands of songs that you can get a hold of if you know where to look.  Want to sing My Heart Will Go On in a hurry?  Not hard to find, I assure you.

However, there are way, way more songs that do not exist in any kind of instrumental form.  I know because I’ve looked.  In fact, I could never do karaoke to most of the songs I like because they haven’t been made yet.

Will someone make them?  I don’t know.  Will I make them?  I don’t know.  Maybe YOU will be the one to do the best version of Raw Power by Iggy and The Stooges that has ever been heard.

Again, this isn’t just for karaoke.  There are lots of obscure songs that could use a remake for a variety of purposes, as mentioned.  And, if you know how it’s done, you can be the one to do it.

But seriously, what am I supposed do when I want to sing karaoke to Trippin’ On A Hole In A Paper Heart by Stone Temple Pilots?  Nothing!  Honestly, I usually just cry and go to bed.

Ok, now that I’ve talked about all of the reasons WHY you might want to make your own instrumental backing track, and the options that’ll give you, I finally am going to talk about HOW you do it.

Actually, no, Rob will show you that in the video down at the bottom of this post, but I’m going to explain what you’ll need before you can actually do what we did.

STEP 1 – Open Up The DAW of Your Choice

First off, you need to know how to operate a DAW, or digital audio workstation.  Not only do you need to know how to operate one – you need to actually have one! 

Popular examples of these include: Presonus One, Reason, Cubase, Garageband, Protools, Ableton, Cakewalk, Logic, and of course many others.

For our track, we used Cubase, which is a very popular DAW.  Some are mega expensive, if you didn’t know.  Some are free.  Well, Garageband is “free” if you buy an expensive Macbook.

Audacity is free.. like actually free, so check that out if you have nothing else.  There are probably other free ones, hmm.. what are they?  You tell me!

So, if you don’t have one of these DAWs, you need to get one before you try doing this yourself.

STEP 2 – Assess What VSTI’s You Have

Next, see what VSTI’s you have as part of your DAW.  Or start downloading the ones you might want.  VSTI stands for Virtual Studio Technology Instrument.

You’ve probably heard of them referred to as VST instruments, or VST plugins, but let’s just call them VSTI’s.  VSTI’s have come a long way over the past 20 years, and now, when you purchase almost any DAW, it comes with VSTI’s for you to play around with.

Some VSTI’s sound like real instruments to the point where you might not know the difference.  For instance, we used “fake” instruments for bass and drums on our version of “I Wanna Destroy You”, but the guitar was real.

Now, it’s worth noting that when I say fake these samples that get used in a lot of the higher end VSTI’s are going to be crystal clear, and you’ll have to pay for that crystal clarity as well.

I was particularly impressed by the drum sound that Rob got on the song.  By “fake sounds”, I am generally referring to MIDI, because when notes are virtual as MIDI notes are, they can be changed easily and swapped right out, depending on the VSTI you’re routing to the track.

Change the VSTI, the track will sound totally different.  That’s part of the fun!

STEP 3 – Grab Your Keyboard Controller

So, in order to use these VSTI’s, a good quality controller or keyboard (or keyboard controller) is usually necessary so that you can play the notes on the keyboard, and it translates into whatever VSTI’s you have handy.

You can, of course, usually access a virtual keyboard on your laptop somewhere, if you’re desperate, but I’d say get a controller.  They’re not too pricy.

midi keyboard

Just to be clear, you’re not getting a controller to play keyboards necessarily.  Through this controller, you play notes that hooks up to your computer somehow (through USB or an interface) and they turn into whatever instrument you tell them to.

I remember thinking at some point in the past, that these keyboards were just normal “keyboards”, and I was going to have to become the next Rick Wakeman. Luckily, don’t have to, so take off that golden robe right now.

STEP 4 – Gather your Real Instruments (Bass, Guitar, Drums, etc)

You might want to use a combination of real instruments and fake AKA MIDI instruments to put your track together, and so if you have any instruments that you want to use, get them ready.

So, if you have a really nice bass guitar sitting nearby that you’d want to use, grab that and your amp and warm them up for the track.  What instruments are real and which ones are not is entirely up to you.

You could use all real drums, and keep the bass and guitars fake.  Up to you.  What if there are wind instruments?  Glockenspiel?  What about strings?  What about an entire orchestra pit just for you??

If you’re doing this track at home like Rob and I did, I might assume you want to use a VST for your orchestra sounds, but who am I to say?

Maybe you’ve got friends that play classical instruments and they’ll be dropping by to lay down their tracks.  Maybe the pit is coming to you.  What about your sax guy or gal?  Don’t forget them!  Let them wail…or just replace them with a VST.

STEP #5 – Other Gear You’ll Need

This list of every single last thing you could use can go on forever potentially, but, if I may, I’d say you’ll most likely need a pre-amp of some kind so you can plug microphones in (oh yeah, you’ll need those too), as well as various cables.

This is starting to sound like a step by step tutorial on how to record anything, not just a backing track.  Well, that’s right, you can record anything, and that’s the point!

Flexibility and options are what we’re after here when it comes to recording.   Just make sure you have all the right gear that you need.  It will probably include most of what I’ve mentioned, plus some various wires to plug it all in.

So, now that you know WHY you might want to create a backing track from scratch, and you also know WHAT you need to make the track, it’s time to make the actual track.  Whew!  About time…

This is where Rob Jones is going to guide you in the video below which will bring us full circle back to the beginning when I first showed you our cover of “I Wanna Destroy You”.

Remember, he does this for a living, so he has all the needed stuff, but hopefully you can follow along and start living the DIY dream along with him, creating amazing tracks that will blow people away because they’re so awesome.

Take it away, Mr. Jones…

Rob Jones rig rundown and favs

For your information, this is some of the stuff Rob uses when making tracks and also getting through life!

DAW: Cubase 9 Pro, running in Windows 10

VST list: Spectrasonics Omnisphere, Trilion, RMX. Native Instruments Komplete Ultimate 11. Toontrack EZdrummer, Addictive Keys, and loads of smaller ones.

Audio Interface: Focusrite Scarlett 2i2. Allen and Heath analogue desk – Z14fx (this gives me that lovely warmth I feel is missing in todays digital only world of recording. But it also gives me the ability to record so many inputs manually)

Guitars: Paul Read Smith (PRS) Custom 24, Kramer American, Yamaha Acoustic, Fender Acoustic.

Guitar effects: Boss GT-8 multi fx

Mics: Sure SM58/57 and Rode NT1 Condenser

Favourite film(s) would be the Alien saga
Favourite food: Spicy curries oh yes!
Favourite colour: sunset
Favourite chair would be a comfy one

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DAWs For Home Studios On A Budget


For the modern musician, the Digital Audio Workstation (DAW) is the hub of any recording setup.

Whatever genre of music you put out, you require a software program that brings together the processes of composing, recording, mixing and mastering your tracks.

There are many who shell out on studio time to have this step taken care of for them, and there are even some who rely on old-school recording techniques – whether for effect or for money-saving – that sometimes even includes analogue equipment.

The rest of us examine our options regarding a DAW to install on our computers so that we can get to grips with these step ourselves.


Our options are quite varied; typically, we look to Logic if we are Mac users, or we look to Fruity Loops, Pro Tools, Cubase, Reason or Ableton to learn and work in the music making process.

This is fine, as these are the most widely used industry standard programs in the majority of professional studios.

The problem is, Avid’s Pro Tools will cost in the region of $600, while FL Studio, with all the plugins, will cost upwards of $1000.

What bedroom producer, still learning the craft of music production and recording, would risk such a hefty up-front investment in something that might never really take?

Magix Music Maker Premium

To sidestep this problem, I would like to posit an alternative DAW for your consideration: Magix Music Maker Premium.


This software comes out swinging in its competition with the heavy hitters, and offers enough features to produce songs that many might find difficult to differentiate from hits made on the more expensive alternatives.

With the inclusion of 12 Soundpools (comprising 8,000 sounds and loops in various musical styles) plus numerous VSTi synths, VST plugins and the capability of running any other VSIs and VSTs you want to install, there is really no limit to what you this program can do.

Magix Music Maker 2016 Premium

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The User Interface

The UI of Magix Music Maker Premium is simplistic and similar in its functionality to that of Logic.

You can place, or draw, blocks of prerecorded sounds or MIDI loops into the on-screen grid, with a summary of basic channel effects and dynamics on the left, and the option of bringing up a more advanced mixing station at the bottom of the screen.

There are a number of built-in channel effects for you to use, including EQ, Compressor, Reverb, Delay, Stereo Enhancement and Filter, with the option of adding up to 2 VST effects to a block, and a further 2 to a channel.

While this limits you to a maximum of 4 plugins to use per channel on the grid, in most cases you will find that this, plus the built-in effects at your disposal, is sufficient for your mixing needs.

Here’s the official Magix video tutorial for the software.  This should give you a pretty good idea of what you’re in for with this software, if you have 15 minutes to spare.

More Features Of Magix Music Maker

The mixing board can feature up to 99 channels running simultaneously, and includes a master controller with its own dB limiter and built-in mastering suite that has some genuinely strong features.

MIDI composition screens and synth controllers open in mini windows as you activate them, so you can tweak and experiment with the individual controls for them.

The footer window on-screen has a range of tabs to move between virtual instruments, mixer, file browser and Soundpool library.

Everything is intuitive and easy to find, and the features are surprisingly rich.


Upgrading and Longevity

Once you have purchased your software, there is really no reason to ever buy something different. All downloadable VSTs can be run in Magix Music Maker, and there is no limit to how many you can add to the library.

Put it this way: I started out with Magix Music Maker 2013 Premium, and I still use it now as one of my main avenues for recording. With a suitable USB audio interface, you can record through microphone or any electronic instrument, and MIDI controllers are supported as well.

The software runs well, as long as your computer has the necessary processing power to keep up with everything.

Any latency problems that arise can be fixed by tweaking the settings, and the occasional glitch can be fixed by restarting the program (these are very rare).

It is advisable to regularly backup your projects as you work on them, to ensure you don’t lose anything. There is a built-in feature that usually does this anyway, but there is the occasional inexplicable failure of this feature, so it’s best to stay on top of it yourself.

Here’s a sample of what you can do with Magix musically…


Earlier I mentioned the restriction to a maximum of 4 external plugins that can be assigned to a single channel. Another glaring limitation of Magix Music Maker is its lack of a buss channel assignment capability – buss channels are completely absent from Magix Music Maker, and this can be problematic for more advanced mixing procedures.

It is possible to improvise your way around this, for example by bouncing 2 or more channels into a single wave file, then applying further effects to that wavs file on a separate channel.

This isn’t ideal, but can be sufficient during mixing. Alternatively, you could look into purchasing the professional Magix program Samplitude, which is a more advanced and rather more costly piece of software that truly does stand alongside the heavy hitters mentioned at the start of this review.


Magix Music Maker Premium, for its price and relatively low profile, is a superb piece of software for beginners to middleweight producers/recording artists.

It is an excellent starting point to learn the craft of music production, and its beautifully simple UI is matched in brilliance only by its impressive upgrading capabilities.

In the long term, its limitations will probably push the most dedicated of musicians to go for its big brother Samplitude, or else one of the other mainstream programs, but with enough dedication you will be able to make professional quality tracks with the low upfront investment Magix requires.

If you are taking your first steps into the music recording world, I highly recommend Magix Music Maker Premium as the perfect DAW to get your feet wet and keep using right up to the point of becoming an advanced music producer and sound engineer.