We Review 5 of the Best Dynamic Microphones for Recording the Kick Drum

When you’re a musician, there comes a time when you need to start purchasing specialized equipment if you want to move to the next level. This includes microphones for capturing the bass of your kick drums. You can’t expect to use the same mic that vocalists use to capture their singing when it’s time to record low bass tracks.

we review the best mics for recording kick drum

5 Best Mics for Recording Kick Drum

The microphone will have to have a range that allows that low, rich bass to be captured with perfect clarity. When you don’t use the right microphone, you won’t have clear tracks that are a true representation of the music pouring from the instrument. Instead, you won’t be able to hear the bass, or the attack will be recorded as a loud popping that doesn’t do the instrument justice.

Shure PGA52 Cardioid Dynamic Microphone

The Shure PGA52 is advertised specifically for kick drums. While some others perform double duty, this mic is designed to capture the low sounds of bass instruments. This is due to the range frequency of the diaphragm.

Features and Technical Specs

  • Dynamic microphone
  • Cardioid pattern
  • Frequency response 50 to 12,000 Hz
  • XLR cable included
  • Carrying pouch

With the Shure PGA52, you’ll get a dynamic microphone with a cardioid pattern that removes unwanted noise from the sides and back. It has a low frequency response that will capture that rich bass from the kick drum. The Shure name means you’re getting a rugged mic that can stand up to any recording condition.

Check out our full review of the PGA52


Sennheiser e906 Dynamic Supercardioid Microphone

The e906 has a flat silhouette that is made to slip between instruments or in front of an amp to capture deep sounds of the bass. It can be slipped close to the kick drum quite easily, too.

Features and Technical Specs

  • Frequency response 40 – 18,000 Hz
  • Three switchable presence filters
  • XLR connector
  • Dynamic
  • Supercardioid pattern

The e906 from Sennheiser is a dynamic mic with a supercardioid pattern, which is perfect for recording bass. The position can be changed slightly to record an entirely different sound. This gives you incredible versatility when recording.

Check out our full review of the e906


Audix D6 Dynamic Cardioid Microphone

This is a microphone using VLM technology for its diaphragm. It’s a light one that responds to the attack of the kick drum. That’s vital for a mic created special for bass. Without that special interior tech, you won’t have a true recording of the bass.

Features and Technical Specs

  • VLM diaphragm
  • Frequency response 30 – 15,000 Hz
  • Steel mesh grill
  • Cardioid pattern

The light diaphragm of the dynamic mic records the attack of the drum, which some like and some don’t. You’ll have to decide if it’s a feature that you want on your recordings. There are frequency boosts that you can play with to find the right sound for your tracks, too.

Check out our full review of the D6


Heil PR-40 Dynamic Studio Recording Microphone

The Heil company is an icon in the music industry as is there accomplishments. They provided microphones and sound systems for legends like the Grateful Dead. That same company’s mic can be a part of your recording arsenal.

Features and Technical Specs

  • Copper-wound dynamic
  • Frequency response 28 – 18,000 Hz
  • Mic clip included
  • Steel-constructed body

The look of this microphone can be deceptive. It looks like a condenser mic, but it’s a large, copper-wound dynamic that will capture all the sound you can produce with your kick drum. This is one of the only dynamics that can actually capture the lower registers of a person’s voice and create a rich duplicate recording.

Check out our full review of the PR-40


Electro-Voice RE-20 Cardioid Microphone

electro-voice re-20 cardioid microphone

This dynamic cardioid microphone has a large diaphragm for capturing the perfect sound of your kick drum. You’ll be able to slip this microphone close to the kick drum and not be impacted by the popping of the attack.

Features and Technical Specs

  • Frequency response 45 – 18,000 Hz
  • Steel case material
  • Internal pop filter and shockmount
  • Bass roll-off switch

There are steel mesh coverings over all the openings for capturing sound, but with the cardioid pattern, you can dictate how you want the sound to be recorded. You do this with your placement. The steel construction and sturdy materials can take a ton of abuse and still capture clear sound from the kick drum.

Read our full review of the Electro-Voice RE-20


Conclusion

These microphones are all dynamic because the inner workings of the dynamic microphone work best with deep, low bass sounds like those that come from the kick drum. A bass or kick drum microphone has to have a low frequency response range to ensure that it’s being recorded exactly as it sounds when being released from the instrument during playing. You always want a true representation of the sound to be captured in the microphone itself since that’s what the recorder will pick up during the session.

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